A multicultural exploration of the use and misuse of the hands in art, design and daily life.
A multicultural exploration of the use and misuse of the hands in art, design and daily life.
A multicultural exploration of the use and misuse of the hands in art, design and daily life.
A multicultural exploration of the use and misuse of the hands in art, design and daily life.
A multicultural exploration of the use and misuse of the hands in art, design and daily life.
A multicultural exploration of the use and misuse of the hands in art, design and daily life.
A multicultural exploration of the use and misuse of the hands in art, design and daily life.
A multicultural exploration of the use and misuse of the hands in art, design and daily life.
A multicultural exploration of the use and misuse of the hands in art, design and daily life.
A multicultural exploration of the use and misuse of the hands in art, design and daily life.
A multicultural exploration of the use and misuse of the hands in art, design and daily life.
A multicultural exploration of the use and misuse of the hands in art, design and daily life.
A multicultural exploration of the use and misuse of the hands in art, design and daily life.
A multicultural exploration of the use and misuse of the hands in art, design and daily life.
A multicultural exploration of the use and misuse of the hands in art, design and daily life.
Ikebana is not only what you think it is but a way to familiarize yourself with the wilderness around your neighborhood. We will start each session with a small talk on alternative histories and contemporary practices in both flower arranging and still life. Arrange, compose, build. Study, draw and paint our arrangements with an eye for organic growth and decay, syntax and form.
Ikebana is not only what you think it is but a way to familiarize yourself with the wilderness around your neighborhood. We will start each session with a small talk on alternative histories and contemporary practices in both flower arranging and still life. Arrange, compose, build. Study, draw and paint our arrangements with an eye for organic growth and decay, syntax and form.
Ikebana is not only what you think it is but a way to familiarize yourself with the wilderness around your neighborhood. We will start each session with a small talk on alternative histories and contemporary practices in both flower arranging and still life. Arrange, compose, build. Study, draw and paint our arrangements with an eye for organic growth and decay, syntax and form.
Ikebana is not only what you think it is but a way to familiarize yourself with the wilderness around your neighborhood. We will start each session with a small talk on alternative histories and contemporary practices in both flower arranging and still life. Arrange, compose, build. Study, draw and paint our arrangements with an eye for organic growth and decay, syntax and form.
Ikebana is not only what you think it is but a way to familiarize yourself with the wilderness around your neighborhood. We will start each session with a small talk on alternative histories and contemporary practices in both flower arranging and still life. Arrange, compose, build. Study, draw and paint our arrangements with an eye for organic growth and decay, syntax and form.
Ikebana is not only what you think it is but a way to familiarize yourself with the wilderness around your neighborhood. We will start each session with a small talk on alternative histories and contemporary practices in both flower arranging and still life. Arrange, compose, build. Study, draw and paint our arrangements with an eye for organic growth and decay, syntax and form.
Ikebana is not only what you think it is but a way to familiarize yourself with the wilderness around your neighborhood. We will start each session with a small talk on alternative histories and contemporary practices in both flower arranging and still life. Arrange, compose, build. Study, draw and paint our arrangements with an eye for organic growth and decay, syntax and form.
Need some time to prepare for fall? Drop off your kids! Need a break before the academic year begins? Stop by and draw! All ages welcome. Materials provided. Informal instruction by Helen Singh-Miller, avid drawer and MassArt lecturer with pre K-12 teaching experience.
Need some time to prepare for fall? Drop off your kids! Need a break before the academic year begins? Stop by and draw! All ages welcome. Materials provided. Informal instruction by Helen Singh-Miller, avid drawer and MassArt lecturer with pre K-12 teaching experience.
Ikebana is not only what you think it is but a way to familiarize yourself with the wilderness around your neighborhood. We will start each session with a small talk on alternative histories and contemporary practices in both flower arranging and still life. Arrange, compose, build. Study, draw and paint our arrangements with an eye for organic growth and decay, syntax and form.
Ikebana is not only what you think it is but a way to familiarize yourself with the wilderness around your neighborhood. We will start each session with a small talk on alternative histories and contemporary practices in both flower arranging and still life. Arrange, compose, build. Study, draw and paint our arrangements with an eye for organic growth and decay, syntax and form.
Ikebana is not only what you think it is but a way to familiarize yourself with the wilderness around your neighborhood. We will start each session with a small talk on alternative histories and contemporary practices in both flower arranging and still life. Arrange, compose, build. Study, draw and paint our arrangements with an eye for organic growth and decay, syntax and form.
Somatic practice – or the development of internal bodily awareness – is an increasingly common foundation for training in the visual and performing arts. Weaving together physical exercises and artistic experiments, this course introduces methods for leveraging the body-mind connection in making art. Students will experiment across a range of media, expanding their movement repertoire and generating possibilities for art, performance and design.
Somatic practice – or the development of internal bodily awareness – is an increasingly common foundation for training in the visual and performing arts. Weaving together physical exercises and artistic experiments, this course introduces methods for leveraging the body-mind connection in making art. Students will experiment across a range of media, expanding their movement repertoire and generating possibilities for art, performance and design.
Somatic practice – or the development of internal bodily awareness – is an increasingly common foundation for training in the visual and performing arts. Weaving together physical exercises and artistic experiments, this course introduces methods for leveraging the body-mind connection in making art. Students will experiment across a range of media, expanding their movement repertoire and generating possibilities for art, performance and design.
